Shiva Feshareki is another of the six composers selected to take part in the London Sinfonietta’s new Writing the Future scheme, and has been working with the ensemble’s Principal clarinet Mark van de Wiel since the scheme’s launch in February.
The result of this collaboration is a Sinfonietta Short, titled departing in peace, arriving with love which will be premiered at an exclusive London Sinfonietta’s Pioneers’ event on Wednesday 13 April 2011.
Keep your eyes on the London Sinfoniettta website for news about the first public performance.
Shiva tells us more about her piece…
Mark and I already knew each other, when we met on stage of the Royal Festival Hall in a Q&A session last year. Not exactly the most common place to meet, but a lot started even then. In regards to this collaboration, I think he had already understood my way of thinking. I like picking up things that come my way very spontaneously, which then register in my head as being significant, or having had an impact on me. So during the time we have spent with each other so far, we have been focussing on emotions and meanings, and what’s significant for both of us, both in music and in our everyday lives. Now, this will remain between just the two of us, however, for example, I asked him about what makes him happy, what makes him smile, why he likes certain passages of music (which he played a lot of for me: such a luxury), why certain things are scary for him or tedious etc (rather than what sound does it produce if you shove a pen knife in the clarinet or what extended technique can we bastardise this time(!)). In other words, for Mark and me, it’s about the personal, not the technical (or techniques). And I really did find some really beautiful moments emerged between us, so far, in the collaboration. This doesn’t mean that the piece I am writing for him will be so tailored for him that other clarinettists can’t play it; it just means that we have found a soul for the piece, and it’s something that I am now translating into the music (it never had any verbal identity anyway).
The next time we meet, Mark will receive the complete piece. He already knew that that’s what I do: something just clicks in my head after much internal thought, and then I write ‘the whole’, with no disruption.
Mark is a fantastic person. Not only does he produce one of the best sounds I have ever heard, but his attitude and commitment to music have no comparison. We both trust each other wholeheartedly, and that is the definition of a collaboration.’
Shiva will not be using electronics in this piece.