In June this year we collaborated with pianist Matthew Bourne in our Written/Unwritten, which involved collaboration between musicians from both notated and non-notated backgrounds. On Friday 18 November Written/Unwritten returns, and this time we’ll also be joined by experimental percussionist Vladimir Tarasov. Ahead of the workshops for this event, Matthew tells us a little about his current musical preferences, and reflects on his previous Written/Unwritten experience.
Back in June, you were listening to Shostakovitch’s String Quartet No.13, Peter Gabriel’s eponymous debut album and Ben E. King’s Stand by Me. What’s on your favoured playlist right now?
Joanna Newsom: Have One on Me, Olivier Messiaen: Catalogue d’Oiseaux, The Fall: Totally Wired – The Rough Trade Anthology, Dirk Bogarde: Lyrics for Lovers
Tell us a little about your previous experience of working with the London Sinfonietta. Is there anything you might do differently this time?
It was a great experience and I learned a lot from the London Sinfonietta players.
I sketched out some rough ideas and took them along to the workshops and we recorded the results. I then decided which sections would be kept or altered, worked on a new piece and finally ordered the sections.This time the line-up is roughly the same so I’ll be sticking quite closely to the original piece albeit a little shorter in duration…
You’re also to be joined by percussionist Vladimir Tarasov. How do you think this might alter the process and end performance?
I have no idea! It’ll be fun finding out, though.
Check out our blog next week for an update following the first batch of workshops for Written/Unwritten.